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Odds N Ends Vol. 5: Catching Up…

May 10th, 2010 No comments

In an effort to prove that we’re not completely out of the loop when it comes to what’s been making waves within the music blog scene in recent weeks, enjoy this quick run-through of some of the more high profile new videos/ releases we’ve missed out on commenting on due to…uh, we’ll just say “real life” (and a few WordPress issues) getting in the way:

Sleigh Bells “Tell Em”

Anything you’ll ever read about this Brooklyn boy/girl noise-pop duo (vocalist Alexis Krauss and songwriter/ guitarist/ producer Derek E. Miller) is bound to note the band’s love for insane volume levels just as much as it’ll hype how crazily infectious the tunes hidden beneath all the ear-punishing distortion are.

Believe these words on both accounts.

“Tell Em”, the first single from the Sleigh Bells’ debut album Treats (due May 11th on Mom + Pop/ N.E.E.T.), may lead to one having early deafness, but bet you won’t be able to resist repeat doses of it’s rat-a-tat drum, turned-up-to-eleven guitar riffage and laser sound effects assault, nor Krauss’ pureform coos sweetly encouraging today’s young’uns “you can do your best today” betwixt it all.

Last summer’s chillwave/ glo-fi movement taught us the glories of music that was meek-sounding, of shitty quality and awesome; expect the upcoming warm weather season to be all about start-up bands/ acts co-signing the equally awesome louder-than-loud and shitty quality formula of the Bells.

DL: “Tell Em” (alt)

Christina Aguilera “Not Myself Tonight”

We’ll politely decline from adding to the increasingly tiring “Is she copying Gaga?” rattle concerning Aguilera‘s new (meh) one, and just say this: when it comes to desperate slutty Christina, we’d rather give “Dirrty” a re-spin.

Is it bad that we wish we could just fast-forward to the next Aguilera album era already?

Christina’s Bionic drops June 8th.

Ciara featuring Ludacris “Ride”

Looking to get her career back on track after the commercial fumble that was her last album (2009′s Fantasy Ride), Ciara smartly hearkens back to a previous career highlight on new single “Ride”, re-heating the winning, “seductive ‘crunk & b’ crawl + Ludacris cameo” formula of “Oh” with an extra slathering of naughty sex kitten on top of it.

“I can do it up and down/ I can do circles/ To him I’m a gymnast/ This one is my circus,” she sings, nicely illustrating such bedroom talents with a slew of eye-popping body gyrations (amongst other “I’m not a little girl anymore” visuals) in the accompanying video.

Yeah, the hook claims it’s the “beat” that she’s riding “like a mother-[bleeping] freak”, but a ten-year-old could figure out what she’s really talking about.

Eminem “Not Afraid”

Capping months of track-owning guest appearances on joints alongside Drake & Kanye West, Lil’ Wayne and B.o.B (not to mention the killer freestyle track “Despicable”), Em‘s “Not Afraid”, the first taste off his next full length Recovery, lands as another lyrical stunner, with him surprisingly coming across as equally compelling when preaching positive about living a “clean” lifestyle as he does when he’s flexing his more loony and murderous-minded material.

Only problem is, while we’re excited to hear he’s become aware of how awful the various “accents” and pop star/ tabloid staple-spoofing had become, “Not Afraid” feels less and less interesting with each successive listen (maybe it’s that ’80′s arena rock-styled hook), and we’re not necessarily sure we’re ready for an entire album of Eminem getting all uplifting on us.

Surely Kim has done something scandalous in recent years to inspire at least one Recovery song that throws back to his bat-shit crazy rhymes.

Josh Ritter “Another New World”

From the critically-acclaimed folk singer-songwriter‘s newly released sixth set So Runs The World Away (currently streaming in full over at NPR.org), a seven-minute-long story song set atop beautifully sedative acoustic guitar pluckings and dreamily sirenic muted horns about an Arctic explorer and his crew and the tragic horrors that befall them in the midst of a voyage in search of the “new world”.

Doesn’t sound like your cup of tea? Take a chance and hit ‘Play’ and you’ll be surprised how misty-eyed you get once it gets to the part where the protagonist is forced to set fire to his beloved ship in order to stay alive.

DL: “Another New World (Daytrotter Performance)” (alt)

Beyonce “Why Don’t You Love Me”

Most attention concerning this final single from the nearly two-year-old I Am…Sasha Fierce will more than certainly fall on it’s strange, but definitely sexy, retro-themed video (with Bey once-again rocking the Bettie Page ’50′s pin-up look) rather than the song itself; but the cut (co-penned by sister Solange) manages to be somewhat fascinating in it’s own right with the steely-voiced diva turning herself inside-out trying to figure out why a man would choose to willfully bypass such a catch (especially one with “beauty”, “class”, “style” and, most importantly”, “ass”) to a tightly-wound ’60′s soul strut.

Drake “Over (Larrikin’s ‘Go Insane’ Remix)”

Lastly, here’s one more addition to the five hundred other remixes/ covers/ revisions of Drake’s “Over” currently circulating throughout the Web: a delightfully dizzying B-more club re-haul by DJ Larrikin.

DL: “Over (Larrikin’s ‘Go Insane’ Remix)” (alt)

Nicki Minaj featuring Sean Garrett “Massive Attack”

April 2nd, 2010 No comments

With Nicki Minaj being hyped from several corners of the Inter-Webs as the Great Female Hope of Hip Hop’s (Immediate) Future and currently enjoying major airtime as a featured collaborator on successful singles with Usher, Ludacris and her Young Money crew, you would think that for her first solo single, a stronger effort would have been made by her backers to make sure her transition from hot guest to solid lead act went over as smoothly as possible.

In other words, the last thing we would’ve expected hearing as Nicki’s intro LP jump-off would have been the extreme WTH!! that is “Massive Attack”, a Sean Garrett co-production that’s blatantly gunning for a left-of-center Missy Elliott club banger vibe but ends up landing as a confused mess.

Nicki really isn’t the problem here, actually managing to stay somewhat interesting over the first two sixteens with fierce-ish Barbie spittage like “So call me Simba little mama/ Cause Mufasa couldn’t stop a bitch/ I fly in on that choppa just to buy Balenciaga”, but what’s with all that busy clatter she’s rhyming above (A cacophonous massive attack against the eardrums with it’s militaristic/ tribal drumwork and Transformers-transforming-sounding siren synths exploding every which way but on a beat you can comfortably rock to) or the odd-patois-inflections Garrett adopts on a hook that bears little actual hookiness (and starts us re-wondering why we were ever supposed to care about this cat) or the weird detour the production takes in the bridge, suddenly deciding that it wants to be sensitive with the jarring addition of bedroom R&B pianos?

It’s a potential grower (with the Hype Williams-directed accompanying clip slightly making it go down a lil’ easier), but for now…we just don’t get it.

Mariah Carey featuring The-Dream & Ludacris “Ribbon (Remix)”

March 6th, 2010 No comments

If Mariah had really wanted to boost sales and some chart longevity from the mostly public-ignored Memoirs of an Imperfect Angel (rather than quickly move on to it’s guest-laden, all-remixes sequel Angels Advocate), she would have been smart to unleash set highlight “Ribbon” as an official single: it’s seducing, slow-motion flow and chopped-n-screwed hook saw Carey and co-album collaborators The-Dream and Chris “Tricky” Stewart at the peak of their combined powers, and felt like a serious R&B smash waiting to happen.

Alas, she didn’t…but all is not lost, as the diva has only upgraded the track’s future hit potential greatly under this new Advocate revision.

It’s addictive hook sadly doesn’t make it’s first appearance until the track is half-way done, but it’s hard to fuss about that too much when the remix’ front-end is loaded with great turns at the mic from Ludacris (who, curiously, makes much more of an impact littering uzi-fire rhymes and animated vocal tricks atop “Ribbon”‘s crawling midnight groove, than he does on his own oh-so-paint-by-numbers recent material) and Dream (who, as on “My Love” and the “Touch My Body (Remix)”, continues to prove to be one of Carey’s better duet partners [especially on the fade-out here], despite the huge gap in vocal ranges between the two).

Angels Advocate arrives, exclusively through Target & iTunes, March 30th.

DL: “Ribbon (Remix)” (alt)

Ludacris featuring Nicki Minaj “My Chick Bad”

February 22nd, 2010 No comments

Oh Ludacris, where has your mojo gone to?

Like previous single “How Low”, the Atlanta rapper’s latest Battle of The Sexes drop “My Chick Bad” finds him once again wasting a solid, albeit elementary, vocal-tweaked hook with Auto-Pilot verses. The track’s premise, all about how his girl is better than everyone else’s, is already a tired one, but whereas Luda at his previous lyrical heights would’ve given such a been-there-done-that theme a fresh spin bulging with funny-bone-tickling one-liners, here, he comes up empty at nearly every attempt (with only a brief dig at Tiger Wood’s wife landing as semi-rewind-worthy).

Alas, “My Chick Bad” is ultimately rescued by the always-entertaining, animated pipsqueak flow of Nicki Minaj, who pops up on the tail end quickly taking home Best Couplet prize with her opening mic salvo (“Yo, now all these bitches wanna try and be my bestie/ But I take a left and leave them hanging like a testi”) while cleverly using the track’s horror-flick bassline cycles as songwriting inspiration (“It’s nightmare on Elm street and guess who’s playing Freddy?”).

Hate to say it, but this track would have been better served as a solo Nicki single instead with Luda given the one verse cameo (since that seems to be the only time he gives us his A-game these days).

Battle of The Sexes drops March 9th.

The-Dream “Love King”

February 18th, 2010 No comments

Coming off what many considered 2009′s top R&B release (Love Vs. Money), it’s hard not to be left a little underwhelmed by “Love King”, the first single and title track to The-Dream‘s next (and possibly last) album.

Built atop a floaty, snap-laden midtempo groove perked with candied piano plinks and punctuating “Ey”‘s, the song is nothing more than a cut-and-paste patchwork of the singer/ songwriter/ producer/ “ey”-er’s usual bag o’ musical quirks, this time tied together by a thin concept (The-Dream has tons and tons of chicks at his beck and call) that’s in dire need of much stronger goofball lyricism than “Got girls with weaves/…Girls without it” and “Got girls on my Sprint/ My AT&T/ Got girls on T-Mobile/ Metro if it’s local”.

Yeah, it’s “Shawty Is The Shit”-meets-”Rockin’ That Thing” soundbed is perfect riding-to material, but if The-Dream really wants to finally nab some Grammy nods this time around (we, the people, can only endure so many Twitter rants), he’s going to have to conclude his solo album trilogy on the high note it demands with far better offerings than watered-down regurgitations from the same stylistic template.

Love King drops in May.

DL: “Love King” (alt)

If it’s any consolation though Dream, we’re definitely digging you’re rap verse on this all-star “How Low (Remix)”:

BONUS DL: Ludacris featuring Rick Ross, Twista, The-Dream, Ciara & Pitbull “How Low (Remix)” (alt)

Ludacris “How Low”

January 27th, 2010 No comments

It seems like only yesterday when Ludacris could be found consistently dropping dimes on hungry banger cravers, his seemingly endless supply of varied cartoonish flow inflections and XXX-soaked comedic rap banter pulling out some of the greatest hooks and sixteens throughout the ’00′s urban music landscape. Hell, to grant him a guest spot on your own record basically guaranteed you to be forgotten once he entered the frame.

For “How Low” though, the curiously basic first single from Luda’s upcoming seventh studio album Battle of the Sexes, he’s the one being upstaged…and it’s by a chipmunk-ed chant hook no less.

On paper, “How Low”‘s chorus doesn’t read all that interesting. A helium voice set to a double-time beat inquiring how close ladies can gyrate their ass to the floor without falling over? What is this, a late-’80′s/ early-90′s 2 Live Crew record? Yet every time it emerges, promising an instant break-out in good-time debauchery in it’s every repeat, it kills; it’s novel concept so ridiculously catchy, you’re anticipation for it’s return completely overrides the overall flatness of the verses’ horndog lyrical display (sounds like somebody’s in need of some re-inspiration) or how unnecessary it’s succeeding b-hook is.

The fact that a Ludacris record is in existence in which we actually wish it had less Ludacris does ring a tad alarming (triggering some worry of how the rest of the so far un-leaked Battles will fare), but with a hook as addicting as the one “How Low”‘s got, we’re more than happy to give the emcee a passing grade…this time.

Battle of the Sexes is due this March.

Ludacris: How Low (Official Video) from DTP TV on Vimeo.

Bonus DL: Snoop featuring Jay-Z & Ludacris “I Wanna Rock (Remix)” (alt)

Sean Garrett featuring Gucci Mane “Up In Your Heart”

December 27th, 2009 No comments

sean garrettSeeing as though Mario’s “Break Up” spent much of the late-Summer-through-early-Winter kicking ass on urban music airwaves (coinciding with the entire length of time it took for us to finally accept it’s oddly-mashed elements as a “bonafide jam”), it’s not all that surprising that 3/4 of the single’s components (rapper Gucci Mane, singer-songwriter Sean Garrett, producer Bangladesh) would aim to recreate that chart-busting magic with the hopes of becoming hip hop/ R&B’s newest Midas Touch team.

If they continue pumping out infectious bangers like “Up In Your Heart”, a new track bearing the collaborative artistic print of the trio (from Garrett’s forthcoming second attempt at breaking out as a solo artist), such aspirations might soon become a reality.

With Bangladesh constructing another initially disorienting but ultimately addicting backing track bubbling with percussion-heavy delirium, Garrett slides through with a catchy chant of a hook: “Girl I won’t play with your head/ I wanna get up in your heart”. Which sounds sweet enough until we soon learn through his rap-sung first verse that by getting in your heart, Sean means getting so far up in you, he damn near reaches your heart: “You wonderin’ just why I like to wear a wife-beater/ Why I wear a wife beater?/ Well, uh, I like to beat her…”.

Meanwhile, Gucci coasts through a charismatic verse and a half, his flow playing hopscotch atop Bangladesh’s various drum taps as he flings out goofball one-liners at nearly every turn (“I let her shop until she drop/ And when she drop I get on top”).

A super-group in the making? It’s still too early to tell, but these three cats should keep the club floor crowded for at least another season with this one.

DL: “Up In Your Heart” (alt)

Robin Thicke “Sex Therapy”/ Remix featuring Ludacris

December 19th, 2009 2 comments

robin thicke - sex therapyWith the return of Maxwell in 2009 giving male falsetto-led slow jam R&B it’s rightful throne-holder back, it almost feels unnecessary for Alan Thicke’s son to even be around anymore offering his comparably inferior take on the form.

Still, we’ll give Robin this: his fourth album lead single/ title track “Sex Therapy” slithers and seduces in all the right places, blending yet another retread of the steady-pulsing late-night R&B groove behind Ciara’s “Promise” (producer Polow Da Don helmed both), a brief lyrical nod to Twilight, and a hook inspired by Lesley Gore’s 1963 No. 1 “It’s My Party” (“It’s your body/ We’ll go hard if you want to/ As hard as you want to…”) with far more successful (and less hilarious) results than a merging of the three might seem on paper.

For the inevitable guest rap-laden remix, Thicke even has the smarts to employ Ludacris, who, even as he edges long-in-the-tooth rapper status, still manages to come out with goofy XXX winners like “Got the banana/ Now let me split you” that the tween-aged schoolyard set can no doubt appreciate.

Sex Therapy is in stores now.

DL: “Sex Therapy (Remix)” (alt)

At Night I Think Of You…

October 10th, 2009 No comments

my booIsn’t it funny how “My Boo”, a thirteen year old R&B/ booty bass cut performed by an act a majority of folks (minus bloggers of course) probably wouldn’t be able to name without some Google aid, has suddenly turned into one of the most covered/ re-tooled tracks of ’09? Following DJ Solly’s chopped-up re-working of the Ghost Town DJ’s single (posted here back in July), the past few weeks has seen a few other new takes off “Boo” bubble their way to front pages all across the blog patch, and un-surprisingly, we heart every single one of them. Check ‘em out below:

American Dream Team “My Boo”

This Brooklyn-based squad of DJ’s, VJ’s, producers, designers and animators cover the record with a Cascada-esque dance-pop touch (though far less cheesy than that may sound), employing a slightly Auto-Tuned, anony-robo-female to mimic the song’s high school-age X’s and O’s sentiment in between a solid assortment of bloopety-bloop club noise. An ideal dancefloor delight.

DL: “My Boo” (alt) (American Dream Team)

Desktop “My Boo”

Desktop is an synth-pop duo out of Detroit who have released two EP’s this past year that are both chock full of fetching, keyboard-dominant tunes ’80′s pop lovers should dig (Our favorite: the work-out inspiring “Fired Up”).

Their “My Boo” remake features a faint loop of “A Milli” in the background, a killer opening groove that’s just begging to be sampled for some new crunk & b confection, a talk-box (we think) assisted breakdown that’s still got our heads spinning in circles and a heavily distorted lead male vocal that makes the longing lyrics take on a intriguing stalker-ish bent that wasn’t all that easily apparent in the original.

DL: “My Boo” (alt) (Desktop)

Mariah Carey featuring OJ Da Juiceman, Big Boi & Gucci Mane “H.A.T.E. U (Remix)”

Last but not least, Mimi busts through with this remix of her Memoirs’ slow jam ballad “H.A.T.E. U”, and we must say, anticipating entering the angry phase after breaking up with her man goes down a lot better when supported by the light bounce of a “Boo” sample and smirk-inducing guest turns from OJ Da Juiceman, Big Boi (“I’m colder than a polar bear’s toenails”) and, the “Ludacris of ’09″, Gucci Mane, in what’s probably his two-hundredth appearance on a song in the past four months alone (and yet somehow we still crave more cameos from the “Wasted” emcee).

DL: “H.A.T.E. U (Remix)” (alt)

Ciara featuring Justin Timberlake “Love Sex Magic (Skratch Bastid Remix)”

May 24th, 2009 No comments

love-sex-magic-skratch-bastid-remixEven though “Love Sex Magic” has enjoyed time in the Hot 100 Top 10, making it Ciara’s first single to peak that high since 2006′s “Oh”, the original track doesn’t seem like it will have the legs to become the monster summer go-to it was most likely designed to be.

Now, an extended after-life in the remix realm? That just may be the record’s saving grace as it seems like every week some re-tweaked version of the tune is making it’s Web premiere.

The latest remix to get our bums a-wigglin’ comes via Canada’s Skratch Bastid, who matches Ciara & JT’s sexcapades up perfectly with the sketelal White-boy funk of Laid Back’s club staple “White Horse” and Art of Noise’s bump & grind anthem “Moments of Love”.

DL: “Love Sex Magic (Skratch Bastid Remix)” (alt)