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Odds N Ends Vol. 5: Catching Up…

May 10th, 2010 No comments

In an effort to prove that we’re not completely out of the loop when it comes to what’s been making waves within the music blog scene in recent weeks, enjoy this quick run-through of some of the more high profile new videos/ releases we’ve missed out on commenting on due to…uh, we’ll just say “real life” (and a few WordPress issues) getting in the way:

Sleigh Bells “Tell Em”

Anything you’ll ever read about this Brooklyn boy/girl noise-pop duo (vocalist Alexis Krauss and songwriter/ guitarist/ producer Derek E. Miller) is bound to note the band’s love for insane volume levels just as much as it’ll hype how crazily infectious the tunes hidden beneath all the ear-punishing distortion are.

Believe these words on both accounts.

“Tell Em”, the first single from the Sleigh Bells’ debut album Treats (due May 11th on Mom + Pop/ N.E.E.T.), may lead to one having early deafness, but bet you won’t be able to resist repeat doses of it’s rat-a-tat drum, turned-up-to-eleven guitar riffage and laser sound effects assault, nor Krauss’ pureform coos sweetly encouraging today’s young’uns “you can do your best today” betwixt it all.

Last summer’s chillwave/ glo-fi movement taught us the glories of music that was meek-sounding, of shitty quality and awesome; expect the upcoming warm weather season to be all about start-up bands/ acts co-signing the equally awesome louder-than-loud and shitty quality formula of the Bells.

DL: “Tell Em” (alt)

Christina Aguilera “Not Myself Tonight”

We’ll politely decline from adding to the increasingly tiring “Is she copying Gaga?” rattle concerning Aguilera‘s new (meh) one, and just say this: when it comes to desperate slutty Christina, we’d rather give “Dirrty” a re-spin.

Is it bad that we wish we could just fast-forward to the next Aguilera album era already?

Christina’s Bionic drops June 8th.

Ciara featuring Ludacris “Ride”

Looking to get her career back on track after the commercial fumble that was her last album (2009′s Fantasy Ride), Ciara smartly hearkens back to a previous career highlight on new single “Ride”, re-heating the winning, “seductive ‘crunk & b’ crawl + Ludacris cameo” formula of “Oh” with an extra slathering of naughty sex kitten on top of it.

“I can do it up and down/ I can do circles/ To him I’m a gymnast/ This one is my circus,” she sings, nicely illustrating such bedroom talents with a slew of eye-popping body gyrations (amongst other “I’m not a little girl anymore” visuals) in the accompanying video.

Yeah, the hook claims it’s the “beat” that she’s riding “like a mother-[bleeping] freak”, but a ten-year-old could figure out what she’s really talking about.

Eminem “Not Afraid”

Capping months of track-owning guest appearances on joints alongside Drake & Kanye West, Lil’ Wayne and B.o.B (not to mention the killer freestyle track “Despicable”), Em‘s “Not Afraid”, the first taste off his next full length Recovery, lands as another lyrical stunner, with him surprisingly coming across as equally compelling when preaching positive about living a “clean” lifestyle as he does when he’s flexing his more loony and murderous-minded material.

Only problem is, while we’re excited to hear he’s become aware of how awful the various “accents” and pop star/ tabloid staple-spoofing had become, “Not Afraid” feels less and less interesting with each successive listen (maybe it’s that ’80′s arena rock-styled hook), and we’re not necessarily sure we’re ready for an entire album of Eminem getting all uplifting on us.

Surely Kim has done something scandalous in recent years to inspire at least one Recovery song that throws back to his bat-shit crazy rhymes.

Josh Ritter “Another New World”

From the critically-acclaimed folk singer-songwriter‘s newly released sixth set So Runs The World Away (currently streaming in full over at NPR.org), a seven-minute-long story song set atop beautifully sedative acoustic guitar pluckings and dreamily sirenic muted horns about an Arctic explorer and his crew and the tragic horrors that befall them in the midst of a voyage in search of the “new world”.

Doesn’t sound like your cup of tea? Take a chance and hit ‘Play’ and you’ll be surprised how misty-eyed you get once it gets to the part where the protagonist is forced to set fire to his beloved ship in order to stay alive.

DL: “Another New World (Daytrotter Performance)” (alt)

Beyonce “Why Don’t You Love Me”

Most attention concerning this final single from the nearly two-year-old I Am…Sasha Fierce will more than certainly fall on it’s strange, but definitely sexy, retro-themed video (with Bey once-again rocking the Bettie Page ’50′s pin-up look) rather than the song itself; but the cut (co-penned by sister Solange) manages to be somewhat fascinating in it’s own right with the steely-voiced diva turning herself inside-out trying to figure out why a man would choose to willfully bypass such a catch (especially one with “beauty”, “class”, “style” and, most importantly”, “ass”) to a tightly-wound ’60′s soul strut.

Drake “Over (Larrikin’s ‘Go Insane’ Remix)”

Lastly, here’s one more addition to the five hundred other remixes/ covers/ revisions of Drake’s “Over” currently circulating throughout the Web: a delightfully dizzying B-more club re-haul by DJ Larrikin.

DL: “Over (Larrikin’s ‘Go Insane’ Remix)” (alt)

Beyonce & Lady Gaga “Video Phone (Remix)”

November 21st, 2009 No comments

lady gaga & beyonceThere are times when Beyonce goes on one of her overly-flamboyant, “tomorrow’s R&B”-soundtracked tangents that modern pop/ R&B brilliance emerges. We’ve experienced that with “Upgrade U” and “Single Ladies”, two tracks that tested the limits of our comfort with sultry vocals being lain atop the most oddly-constructed, mechanized-hip hop-soul grooves, and ultimately won out by having sturdy enough hooks and themes at their core.

But for every one of those gems, there’s a handful of others within that same style that largely fail at justifying the point in her trying so hard to go against the grain. Latest I Am…Sasha Fierce single “Video Phone” falls in this camp.

Over co-producers Bangladesh and Sean Garrett’s weird, cacophonic hip hop-styled homage to Trent Reznor, Beyonce takes on a slinky, exaggerated Southern drawl to indulge in a little burlesque-y “I know you want me; I want you to” preening. “You sayin’ that you want me/ So press record/ I’ll let you film me,” she teases betwixt the track’s eerie recipe of pinball machine plinks, finger snaps and two-ton drums, sounding probably a little too delighted in being some random guy’s via-iPhone jack-off accompaniment.

Like “Diva”, Be’s catchphrase-riddled “A Milli” for the ladies, “Video Phone” would work best as a brief album interlude, since it’s only for about a minute and a half that it manages to be an intriguing curioso cut. After that, it starts to feel like a meandering mess, unable to latch onto a strong hook or cool musical-based deviation to make it’s multiple elements gel into an satisfying whole.

Throwing in Lady Gaga as a duet partner for the Deluxe Edition remix doesn’t really help matters either, as what should be this amazing event quickly grows sour, with Gaga sounding a bit lost trying to mimick the gully sass of Destiny’s Favorite Child and proving, as she did when playing hook girl to Wale, that she’s not as captivating when relegated to the side car role (The video, embedded below, is kinda hot though).

If there is one “Phone” one should attach themselves to, we say go for B & L’s other recently released collaboration, the far catchier “Telephone”, or the Pitbull-assisted remix of “Video Phone” featuring the “I’m The Shit” beat and the Cuban-American emcee giving a couple seconds long karaoke shout-out to the old DC nugget, “Survivor”.

DL: “Video Phone (Pitbull Remix)” (alt)

Ciara featuring Missy Elliott “Work”

June 24th, 2009 2 comments

ciara - workMissy Elliott and producer Danja help guide Ciara back to her electro-crunk & b roots on (the somewhat under-performing) Fantasy Ride‘s second international single “Work”, an overtime-working futuro-runway strut built on club-aimed inspiri-chants (“You better shake that thang like a donkey/ And go hard for it bitch, you better work…”) and one of those manic galactic grooves any normal, non-Ciara person would probably find difficult to keep up with on the dancefloor.

But while it provides a much better artist-to-track fit than Ride’s previous singles, the slightly limp midtempo ballad “Never Ever” and the underwhelming FutureSex leftover “Love Sex Magic”, “Work” has a little too much going on, never really quite gelling as a comfortable whole.

The out-of-breath 4/4 hook slams and there’s a certain charm in Ciara’s sassy, L’Trimm B-girl-isms, but that’s about all to note that’s completely positive here.

Firstly, the lacking of a second sung verse only makes us wish that Ci-Ci would’ve omitted the opening verse altogether and just spent the whole time doling out double-dutch raps as the differing vocal performances on the verses presented here feel odd and disjointed.

Secondly, Missy (sporting a wacky Mad Max mullet in the accompanying video) unfortunately re-reminds us that her best creative days might really be behind her after contributing another one of those pedestrian, hype-woman guest turns she’s been fancying for over a year now here (Lines as elementary as “hee-hee-how” or “Beep Beep/ Who got the keeps to the jeep?” feel like Bob Dylan penmanship in comparison to the uninspired drivel she’s recently been dishing).

And thirdly, Danja’s ever-mutating production annoyingly teeters between genius, mad scientist studio wizardry and an over-the-top, overwhelming mess the track’s entire length, never once allowing us the breathing room to decide whether it’s the former or latter.

Yeah, it’s nice to hear Ciara attempting to return to a sound where she excels and, again, “Work” is perhaps the most instantly gratifying single released from Fantasy so far, but the overall lack of focus presented is hard to easily ignore, and that nagging sense of disappointment ultimately dulls the whole listening experience.

Ciara ft. Missy Elliot- Work It from LowKey on Vimeo.

Discovery “So Insane”

June 11th, 2009 No comments

discoveryA year ago this time we were hyping Discovery’s “Orange Shirt”, a blurry indie-pop-meets-crunk summertime confection that could best be summed up as nerdy White boys concocting their own “Love In This Club”. The introductory single and succeeding leak “Osaka Loop Line” were both compelling enough to jumpstart our intrigue for what else the duo (made up of Vampire Weekend’s Rostam Batmanglij and Ra Ra Riot’s Wes Miles) could produce, but that turned out to be so long of a wait, the guys had kinda fell off our radar.

This week, Discovery premiered a couple more songs via their website to tease the release of their July 6th/ 7th-set self-titled debut and instantly, our curious anticipation for the band has been reignited.

The one track that’s got us the most excited would have to be “So Insane”, a quite “insane” tune that fiddles around with a slew of different tempos as numerous punchy drum machine attacks inspire us to pull off our best Janet Jackson circa-Rhythm Nation 1814 choreographed dance breaks. Helping tie the manic beat together: a dreamy vocal about catching teen romance at the local discotheque and it’s lovable grasping of all the stomach-tingling feelings that puppy love creates (“Ooh baby you’ve got me going/ So insane/ And I just don’t know what’s goin’ down…”).

Keri Hilson featuring T-Pain & Lil’ Jon “Hey Girl”

March 30th, 2009 No comments

keriIt may have taken an eternity but Keri Hilson‘s In A Perfect World finally managed to see the light of day thanks to it’s, what, eleventh pre-single/ video “Turnin’ Me On” being the one cut to trigger enough attention to become her first official solo smash. Yeah, it’s not exactly setting the music press world on fire, but, whatever, we’re just happy to see Hilson one step closer to becoming the top R&B diva she seemed destined to be years ago.

As with every other major R&B release these days though, World‘s endless tracklist reconfigurings resulted in several songs being left on the editing room floor…only to be “leaked” to the inter-webs in rapid time. One of those emerging casualties was “Hey Girl”, a T-Pain and Lil’ Jon-assisted ode to the drank that might not have been a perfect fit in Hilson’s final product, yet still deserves to be snatched up by somebody so it can get a proper club push.

A tad Pussycat Dolls-mimicking with it’s cheerleader chant elements and tabla-prominent backbeat, “Hey Girl” (a sort-of sister record to Jamie Foxx’ current jam “Blame It”) sees Keri once again pulling out the mannequin-esque monotone vocal to let the people know how she gets down when she hits the town. “I’m on Patron, tequila/ I’m drunk on Margaritas/…By the end of the night I’m-a have you so fucked up,” announces it’s winning hook.

Too bad we don’t know her, cause it seems like she would be the ideal tag-along when it comes to really painting the town red.

DL: “Hey Girl” (alt)

Beyonce “Diva”/ Bangladesh “Adidas”

December 28th, 2008 1 comment

divaThe one constant awe of Beyonce’s platinum-lined slew of hit records is the singer’s ability to turn the most challenging production schemes into phenomenon-scaling pop gold. Tell any lesser female R&B singer/ songwriter to try to build a song around the taut, melody-free beats of “Jumpin’, Jumpin’”, “Upgrade U”, “Ring The Alarm” and “Single Ladies”, and they would probably crouch in fear, completely overwhelmed by such a task.

Not only is Beyonce easily able to scribble out solid tunes to the industrial rhythms, she also jampacks them with the right amount of melisma, poly-melody and catchy hook craft (not to mention, eye-tractive video clip accompaniment) to make them worldwide pop anthems.

Her latest instance is new I Am…Sasha Fierce single “Diva”, producer Bangladesh’s R&B answer to previous concoction “A Milli”, that throws a minimalist recipe of military drum rattle, booming bottom end and dwarfish chants of “I’m-a-a diva” her way.

All hood-style Alexis Colby here, Be sing-raps “Fifty million round the world and they said I couldn’t get it/ I done got so sick and filthy with benjas I can’t spend” and alerts potential paramours that they better have “a six pack in the cooler”, all the while dismissing non-independent, money-light diva-wannabes with a quick whip of her mile-long ponytail and making fringed eye wear, hop hop’s newest fashion must have.


Diva (HQ) – Beyonce

bangladesh1For “Adidas”, Bangladesh steals his own track back (the first of many surely to give this beat their own lyrical seasoning, “A Milli” style), bringing the “Pac out” for a tribute to his fancy man toys and favorite shoe gear (“On my feet/ Gotta have three stripes”).

DL: “Adidas” (alt)

Chris Brown “Wall To Wall”

May 6th, 2007 No comments


It didn’t take long for Chris Brown to go from another Usher clone to one of the brightest sensations in teen R&B. His debut album seemed like it wouldn’t stop churning out back-to-back hits while his amazing stage performances marked him as a true entertainer who hadn’t even reached his peak potential yet. With his freshman year now behind him, Brown makes the always-sketchy move into pushing a second project, Exclusive. Even though it’s been about a year and half since his eponymous first album hit stores, it doesn’t seem like it’s been enough time for Brown to grow as an artist, let alone a human being, before shoving something new down our throats. Exclusive‘s first taste, the mediocre “Wall To Wall” assures us that that assumption is correction.

The same semi-flirty little devil we saw on “Gimme That” and “Poppin’”, Brown continues to be careful about not being too explicit on “Wall To Wall” where he’s fighting off an alleged “200 dames” all vying for a piece of his time. Brown lamely tries to brush off his interaction with groupies as some innocent dance-off (“Who wanna try me on the floor?”), but everything else hints at an underlying sexuality Chris seems too cautious to fully embrace beyond a frustrating winky smirk. The steady pump of the nimble hip hop groove, the implied fantasy of being with twin sisters (“That’s a cool lil’ scenario”), even his now-deeper voice make this an obvious attempt at tip-toeing into something more mature but Brown is too aware of his younger fanbase to divulge any deeper than he does.

Overall, “Wall To Wall” does what it needs to keep Chris Brown a heavy presence on radio, but this weaker retread of the already sub par-”Gimme That” expresses that Brown is resistant to upgrading his game in the studio the way he pushes himself to be a better stage performer. For now, he’s hanging on a dimming pubescent glow, but Chris could see interest in him fade if he doesn’t challenge himself to take more chances.

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Tiffany Evans featuring Ciara "Promise Ring"

April 27th, 2007 No comments


A fourteen year old “Star Search” champion, Tiffany Evans spent the earlier parts of her music career singing huge Jennifer Holliday and Stacey Lattisaw ballads to showcase her wowing range. Yeah, the efforts did their job, but they also foolishly anchored the young talent in adult R&B dreariness that wasn’t going to make her classmates pop, lock and drop it in the lunch room. On her new Ciara-assisted single, “Promise Ring”, Evans thankfully acts her age with a candy-coated pleaser that’ll definitely make her the most popular girl in the cafeteria.

It’s not entirely clear what Ciara’s purpose is here. Offering a brief, breathy rap intro, girlish giggles and sideline cheerleading (“Sing it girl”), it seems she’s only around to play the Diana Ross role introducing Tiffany as her own Jackson 5-like “faux-discoveree”. The “Like A Boy” singer’s best gift is probably allowing Tiffany to borrow her sound a bit as the song’s playful bubblegum R&’B-Girl’ confection proves perfect skating jam fodder a la Ciara’s best tunes.

Resisting the epic love claims she messed with before, Tiffany settles into her age set with a cutie-pie ode to the puppy love equivalent of a mature couple’s engagement. Needing to feel like her and her boo are more than just playdates, Evans’ heart goes all a-flutter when he pulls out some Cracker Jack box jewelry to make their union “official”. She promises to cherish it by wearing it on a chain (Awww!) before unleashing some impressive runs that should have the less vocally-efficient Ciara sweating bricks.

It’s the best kind of kiddie record (like “I Want You Back” or “Cool It Now”), one that appeals to the kids as well as the parents, who’ll be all flushed over with their own youthful romance memories. There’s nothing like that first bat at “going steady”, is it?

Hilary Duff featuring Slim Thug “With Love (Remix)”

April 19th, 2007 No comments


Okay so Slim Thug hooking up with Gwen might’ve been a little shocking to some but given both artists’ connection with the Neptunes, it really wasn’t a major stretch. Teaming with cheesy tween-pop wonder Hilary Duff, though, and this Texan rapper has some ‘splaining to do.

Coming out smelling like flowers with her surprisingly decent Kylie Minogue-styled makeover on Dignity, Duff has opted on pressing her luck further by invading the ever-potent urban market. Hey if Hulk Hogan’s daughter could do it and end up with a modest rhythmic chart hit, so can Lizzie McGuire, right?

Texan producer/ rap duo Play-N-Skillz (explaining the Slim cameo) completely erase the blip-bleep electro ice that made the original listenable and place Duff’s thin chirp against a booty-bass shuffle fresh out of the mid-90′s. As far as makeovers go, much more work would need to be done to make Duff sound anywhere close to being hood-approved or even worse Slim’s “boo”, but with non-singers like Cassie finding runaway success with similar little voice/ big beat tactics, the “With Love (Remix)” ends up fitting in with current trends to it’s best ability.