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Posts Tagged ‘female rap’

Eve “Fire”

March 2nd, 2010

Eve kicked 2010 off with the announcement that she was parting ways with long-time label Interscope and re-entering the studio to start piecing together a new new incarnation of her long-delayed fourth LP; in response, we couldn’t even muster up the mildest of shrugs.

Why, you may ask? Let’s just say it’s hard getting excited anymore over the potential release of an album that has been promised to drop every year for the past three years now (let’s not forget that the project’s one-time lead single, the still-amazing “Tambourine”, arrived waaaay back in 2007).

If the set (now entitled Lip Lock) does manage to make it’s way to stores sometime before we have to start shopping for 2011 calendars though, we hope it follows through on the somewhat intriguing idea of her going after atypical soundscapes (like the Salaam Remi/ Benga dubstep beat she pasted her vocals on on the ‘09 leak “Me N My”), rather than feature ho-hum repeatings of the tried-and-true, a category in which the newly leaked “Fire” falls.

Don’t get us wrong, as far as re-igniting the interest of faded-away audiences, “Fire” does a decent job: Its backing beat gives a sleek, Southern(-rap)-fried spin to White Stripes’ “Seven Nation Army” instrumental; the hook (“All y’all can spell my name/ E-V-E, ain’t nothing changed”) carries a certain double-dutch chant charm; and, in Eve’s rhymes, there’s a flicker of that old “pitbull in a skirt” we first fell in love with over ten years ago as she coolly dismisses grapevine gab of her retiring from the rap game (“What, you thought I gave it up?/ Like I was done and over?/ Guess I done fucked up your luck/ Better throw out your four leaf clover…”).

It’s just that, in our heads, we’d much rather have this street buzz-ish banger be the jump-off for a comeback-themed mixtape collection, where it could help build excitement for an official LP full of true game-changing efforts in a similar vein as aforementioned delights “Tambourine” and “Me N My”.

DL: “Fire” (alt)

Bonus DL: Eve featuring Missy Elliott, Fabolous & Swizz Beatz “Tambourine (Remix)” (alt)

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Gudda Gudda featuring Nicki Minaj & Short Dawg “Always Love You”/ Beyonce featuring Nicki Minaj & Lil’ Wayne “Sweet Dreams (‘No Ceilings’ Remix)

November 2nd, 2009

gudda guddaUnfortunately for Young Money soldier/ New Orleans rapper Gudda Gudda, his hood-reppin’ Guddaville cut “Always Love You” won’t win the blue ribbon prize for Best Mixtape Use of a Chopped-Up Sample of Whitney Houston’s “I Will Always Love You” in 2009 (that honor remains with Theophilus London’s still-impressive track of the same name from a couple seasons back), but that doesn’t mean it’s not noteworthy.

Coolly weaving Houston’s over-long belt into a chill, Southern rap groove (with a brief shout out to the Dolly Parton original nicely tossed in in the opening seconds), Gudda’s “ALY” succeeds as a fine laidback jam that’s just begging for a summer season to attach itself to.

nicki minajPlus, it gives us another reason to excitedly anticipate the forthcoming solo debut from Nicki Minaj, his increasingly likable rappress labelmate who steals the show here with a trip through memory lane, where she recalls her days as a young “Harajuku Barbie” sipping Italian Icees while running amuck through the concrete jungle of the “Capital Apple”.

Snatch up the cut below, as well as another Nicki-blessed treat: a No Ceilings-birthed remix to Beyonce’s “Sweet Dreams” (also featuring a somewhat needless Lil’ Wayne) in which she rocks the mic right with rewind-worthy references to Balloon Boy, Plaxico Burress and Slick Rick (and his eye-patch) all tucked into a single killer verse.

DL: “Always Love You” (alt)

DL: “Sweet Dreams (Remix)” (alt)

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Eve “Me N My (Up In The Club)”

August 17th, 2009

eveWhile we would have been perfectly fine with Eve re-entering the game with something on par with her brilliant 2007 single “Tambourine” (from that never-released Here I Am project), the once-self-proclaimed “pitbull in the skirt” has curiously opted on bringing her lengthy hiatus to a close instead with “Me N My”, a dubstep (!!!) record jointly helmed by Salaam Remi and genre beat-crafter Benga (it swipes the backing track from the latter’s Diary of An Afro Warrior album cut “E Trips”) that never quite gels into the left-field mind-blower it seems to think it is.

To be fair, “Me N My”’s faults don’t necessarily fall on it’s fierce beat (a juttering riddim that grabs hold of a creepy, “creatures stalking you in a dark alley-way” type of menacing club vibe), but Eve’s inability to bring much to it. Soullessly rapped musings about how her and her bitches get down at the hot nightspot might work for a hook, but when stretched over two verses and choruses that numbingly meld into one long lyric, her contribution completely bores, making us long for a cameo from Missy Elliott, MIA or Santigold to help color the production with their own respective weirdo-chant pizazz.

We’re all for American rappers trying to experiment with different styles (especially long-missed female ones), but when it sounds like your heart’s not really all that into it (both the track and re-entering the game), we say step aside and let an actually hungry emcee have the honors.

DL: “Me N My (Up In The Club)” (alt)

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Queen Latifah featuring Missy Elliott “Fast Car”

August 10th, 2009

73107102MM010_supportThough Queen Latifah’s forthcoming ninth studio effort Persona> is being touted as a return to the rappress icon’s hip hop roots (featuring production work from Dr. Dre, Cool & Dre and The Neptunes, amongst others), it should probably be noted that by “hip hop”, the powers-that-be are likely referring more to the genre’s 2009 “anything with a slight urban thump” incarnation rather than the raw street beats and tough-talking rhymes vibe of La’s “U.N.I.T.Y.” days (For clarification, refer to Persona’s lead single “Cue The Rain”, a “Weather Girls-meets-’Eye of The Tiger’” post-disco-like stomper that featured no rapping at all).

On the recently leaked “Fast Car”, a quick-paced, pop-leaning shuffler that feels like it was constructed in the mad scientist lab of a Gnarls Barkley, Andre 3000 or k-os (note it’s production similarities to the latter rapper’s “Sunday Morning”), the Queen adopts a half-sung/ half-rapped vocal as she yearns for a man to fly her away through the stars so she can “forget all the bullshit” that’s suffocating her on the ground below.

And while it’s an extremely catchy creation (who doesn’t dig a clap-happy groove or a freakalicious Missy Elliott cameo featuring raunchy lines about “fruit cocktail” or “poon poon”?) and much in line with the rappa-ternt-(pop)sanga trend that’s been devouring the game for years now, “Fast Car”, like “Rain”, only really works when you try to mentally blank out the fact that it’s a Queen Latifah record, which is really kind of a sad truth.

Check it out below and see if you agree.

Persona drops August 25th.

DL: “Fast Car” (alt)

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Ciara featuring Missy Elliott “Work”

June 24th, 2009

ciara - workMissy Elliott and producer Danja help guide Ciara back to her electro-crunk & b roots on (the somewhat under-performing) Fantasy Ride’s second international single “Work”, an overtime-working futuro-runway strut built on club-aimed inspiri-chants (“You better shake that thang like a donkey/ And go hard for it bitch, you better work…”) and one of those manic galactic grooves any normal, non-Ciara person would probably find difficult to keep up with on the dancefloor.

But while it provides a much better artist-to-track fit than Ride’s previous singles, the slightly limp midtempo ballad “Never Ever” and the underwhelming FutureSex leftover “Love Sex Magic”, “Work” has a little too much going on, never really quite gelling as a comfortable whole.

The out-of-breath 4/4 hook slams and there’s a certain charm in Ciara’s sassy, L’Trimm B-girl-isms, but that’s about all to note that’s completely positive here.

Firstly, the lacking of a second sung verse only makes us wish that Ci-Ci would’ve omitted the opening verse altogether and just spent the whole time doling out double-dutch raps as the differing vocal performances on the verses presented here feel odd and disjointed.

Secondly, Missy (sporting a wacky Mad Max mullet in the accompanying video) unfortunately re-reminds us that her best creative days might really be behind her after contributing another one of those pedestrian, hype-woman guest turns she’s been fancying for over a year now here (Lines as elementary as “hee-hee-how” or “Beep Beep/ Who got the keeps to the jeep?” feel like Bob Dylan penmanship in comparison to the uninspired drivel she’s recently been dishing).

And thirdly, Danja’s ever-mutating production annoyingly teeters between genius, mad scientist studio wizardry and an over-the-top, overwhelming mess the track’s entire length, never once allowing us the breathing room to decide whether it’s the former or latter.

Yeah, it’s nice to hear Ciara attempting to return to a sound where she excels and, again, “Work” is perhaps the most instantly gratifying single released from Fantasy so far, but the overall lack of focus presented is hard to easily ignore, and that nagging sense of disappointment ultimately dulls the whole listening experience.

Ciara ft. Missy Elliot- Work It from LowKey on Vimeo.

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Lil’ Kim featuring T-Pain & Charlie Wilson “Download”

May 9th, 2009

lil-kimWhile it was sad to see Lil’ Kim get booted off of “Dancing With The Stars” a couple nights back, bringing an end to a surprisingly successful run, not too many tears are being shed from this corner of the “web-iverse”, since the elimination hopefully means she’ll now have the free time to start focusing on finally giving us the fifth album she’s pushed off for so long.

And by “album” we mean body of work that gives us the fierce-on-the-mic Lil’ Kim of the “Quiet Storm (Remix)”, not the lost-sounding rappress that’s been struggling at the music game comeback since her release from behind bars three years ago.

Though her current single “Download” lands as a capable summertime jam (mostly thanks to it’s lazy sampling of 80’s R&B fave “Computer Love” and another stellar vocal performance from the underappreciated Charlie Wilson), it’s just not the official re-introduction Kim (or the sadly dissipated female rap genre) needs right now. With it’s corny cyber-sex rhymes (“We goin’ back and forth, sendin’ e-mails/ He a thug, so i hit him on his Gmail/ His sense of humor got me writin’ L-O-L…”) and her trendy teeter-tottering from half-sung to provocative whisper raps, “Download” is third or fourth single material at best.

All we ask is that she take that inner-fire that made her a fan-favorite on the “Dancing” stage (or the same dedication she has towards plastic surgery) and somehow transport it to the pad and pen to give us something that will truly blow us away. Come on Kim, we know you got it in you.

Lil Kim Download Featuring Charlie Wilson & T – Pain Music Video

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Rye Rye featuring M.I.A. “Bang”

March 15th, 2009

rye-ryeWith Lil’ Mama spending less of her days rocking the mic than she is judging dance crews and inexplicably remodeling herself as more of a generic teen-pop princess, what’s a listener craving a new-generation Roxanne Shante-meets-Missy Elliott rappress to do? How about turn their attention to Rye Rye, an 18-year-old Baltimore native with a wicked flow and a promising position as the first act signed to M.I.A’s N.E.E.T. label.

For the past two years, Rye has slowly been generating buzz thanks to collaborations with blogger-approved DJ’s Diplo, Blaqstarr and The Count & Sinden, and even spent some time touring alongside her “Paper Planes”-singing CEO.

On her latest offering “Bang”, she jumps atop a previously released Blaqstarr/ MIA mixtape cut and lets loose a fiery blast of manic rhyme furor that’s in perfect compliment to the track’s tribal-like, drum-and-chant delirium. Denouncing all the lames that can’t hang with her rapid-fire rhythm and offering a stern warning to nasty little boys with their minds in the gutter (“What?/ Don’t think so slick/ If you thinkin’ opposite/ I’m-a bang your lips”) without breaking a sweat, Rye Rye delivers a self-assured performance so full of heat, it should make a lot of these other rappers (both new to the scene and firmly established) re-think whether they even want to be involved in the rap game anymore.

Let’s just hope she won’t have to face any distracting reality show gigs or have any urges to be a Britney/ Rihanna-wannabe anytime in the near-future…

DL: “Bang” (alt)

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Amanda Diva “Get Money (Junior MAFIA Cover)”/ Jean Grae “Hypnotize (Notorious BIG Cover)”

March 11th, 2009

biggieThere’s nothing truer than the line “We’ll Always Love Big Poppa”, but is there a real need for yet another tribute project to celebrate the late, great rap icon? More often than not, hip hop heads are left scratching their…well, heads wondering if Biggie would’ve even wanted to share a track with the many rap figures that have aligned themselves to these things in the past. It doesn’t help that since the man didn’t have this endless well of material, we’re forced to hear the same verses chopped up over and over and plopped (a lot of the times, awkwardly) over hot-for-the-moment beats.

That being said, DJ Drama and production team Cookin’ Soul’s new mixtape, The Notorious BIG Tribute, ends up a satisfying listen, thanks to it’s exciting guest star roster (including Styles P, CL Smooth, Smif N Wessun’s Tek, Grafh, Chaundon) and the clever way original sample sources are re-tweaked, giving a brand new polish to the classic Biggie records we’ve held so dear. Here’s a couple of the collection’s highlights, fronted by two of today’s hottest “fem-cees”, below:

Amanda Diva’s seamless rap-sung swagger adds a refined glaze to her take on Junior MAFIA’s “Get Money”, flipping the Sylvia Striplin-sampling 1995 hit into a educating message to all the ladies out there who’ve had their once-promising lives hit the toilet at the hands of a beau.

“I’ve seen it happen time and time again/ Women with a plan side-tracked by a man/ Personal life gets trifling/ And just like that, them goals fall flat,” Diva shakes her head in annoyance, later peppering in a lil’ Lil’ Kim shout-out with the matter-of-fact assertion that her feminist stance should in no way be equated to any homosexual reveal (“This flow ain’t sayin’ I’m a lesbo”).

DL: “Get Money (Amanda Diva)” (alt)

A few tracks later, the always excellent Jean Grae reminds the (sadly still) few that know why she’s “sicker than yo average” with the way she effortlessly cruises through a “Hypnotize” re-vamp, twisting familiar Biggie lines to support her own sharpened braggadocio as the Cookin’ Soul crew finally allow the less-championed, silkier portions of Herb Alpert’s “Rise” a shot in the spotlight.

DL: “Hypnotize (Jean Grae)” (alt)

Cop the rest of the mixtape here

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Olivia featuring Missy Elliott "Cherry Pop"

July 6th, 2007


Clive Davis dumped her cause he didn’t know how to properly market her smooth-and-edgy style, G Unit couldn’t find much to do with her but make her their resident hook girl and go-to video eye candy. Yet R&B never-was Olivia pushes forward while in between record deals, opting on creating her own buzz with the Missy Elliott-featured “Cherry Pop”.

Never one to forget the old-school musical memories of her childhood or get her mind completely out of the gutter, Elliott whips up a sexy, ’80’s-era R&B skater jam romp, enticing Olivia to sing about the needs of her lady parts like some former member of Vanity 6. Edging TMI territory as she searches for a man to keep her satisfied ’til her “well is dry”, Olivia embraces her nasty side, fleshing out the role she played on 50’s similar-minded “Candy Shop” and pushing the no-holds-barred personality we saw on her 2001 breakout “Bizounce” back to the forefront.

Elliott, who seems to have run out of fresh material, is still getting mileage out of the same self-booty-smacking rhymes (“‘Cause my jeans fit to my crotch/ Taste like whip cream on top”), but when it comes to raunchy fun we would expect nothing less from her.

A sassy funkster that finally seems to set Olivia’s career back on the good foot (even if it’s well past time Missy find something else to focus on), “Cherry Pop” delivers the “tasty” goods.

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Lil’ Mama “On Fire”

June 14th, 2007


If Lil’ Mama hadn’t blessed us with such great scene-stealing collabs with Avril and Rihanna, we could’ve cared less what the young rhyme slinger did after the gumball silliness of “Lip Gloss”. But with an already considerable pre-album track record, we’re all giddy with excitement as to what she’s bringing us next. Now the pressure’s on to keep the momemtum up with follow-up solo single “On Fire”.

Without the Clipse-hungry minimalist boom-bap and million-plus hooks of “Gloss”, “On Fire” feels a little basic in comparison, but hey, if Mama came out with another song about how fierce her cosmetics were, we would of all rolled our eyes collectively. She stays within her age range here, referencing “Mortal Kombat”’s Sonya Blade and adopting those “stop, drop and roll” directions from elementary school fire drills for a decent, yet not all that original, stab at a chorus. In the end, this really isn’t all that memorable, but it’s her effortless flow and brief forays into solid singing (hopefully a straight R&B song is amongst her album tracklist) that saves the day.

Download: “On Fire”

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