mixtape maestro (2.0)

For months, it’s been difficult to escape the hyping of alt-pop-meets-hip hop, Harvard grad duo Chester French. From the endless “ones to watch” music press/ blog shout-outs to the high-profile support of A-list hip hop figures like Kanye West and eventual label boss Pharrell Williams, we’ve been damn near brainwashed into becoming fans of these cats.

Thankfully, the bits of Chester French music we’ve actually heard (the ’60’s-washed first single, “She Loves Everybody”; that insanely catchy Common collabo, “What A World”; their surprisingly neat remix of Jay Z’s “Excuse Me Miss”) has helped in justifying all this early praise.

Hoping to build up an even stronger buzz for debut album Love The Future (while further highlighting their cool circle of friends), the team of Maxwell Drummey and D.A. Wallach recently dropped the pre-official release mixtape, Jacque Jams, Vol. 1 – Endurance, which tracks the on-the-rise trek of their previous six years through material both old and new, some amusing skits, and the “exclusive” inclusion of a self-produced Lady Gaga remix, not to mention a laundry list of cameo appearances that includes Diddy, Jadakiss, Bun B, Solange, Talib Kweli and Cassie amongst others.

Preview a couple of MM’s faves below:

It’s kind of sad that Janelle Monae still hasn’t quite set the world on fire with her brilliant sci-fi-soul sound (you NEED to pick up Metropolis The Chase Suite like right now), but nevertheless she makes for a great duet partner on the geeky puppy love ode “Nerd Girl”, a prance-y mix of Beatles vocal creaminess and ’80’s synth-pop tenderness.

“I wear tiny suits and bowties, some might call me strange,” she coos. Oh Miss Monae, that’s hardly a bad thing.

DL: “Nerd Girl” (alt)

Meanwhile, “Life In LA” details guest stars Pharrell Williams and Jermaine Dupri’s wild and crazy sexcapades with the City of Angels’ bottomless well of overly worked on, coke-sniffing Barbie Dolls atop old school rap drum clatter and space-age ambiance. Unfortunately, the good times are all over for the French boys, who’ve partied all their dough away and now must leave all the fun and sun behind.

DL: “Life In LA” (alt)

You can pick up the entire entertaining collection here; Love The Future, drops April 21st.

Uncategorized 60's, 80's, alternative, bun b, cassie, chester french, common, diddy, janelle monae, jermaine dupri, kanye west, mixtape, pharrell, solange, talib kweli

So what Kid Cudi’s “Day N Nite” isn’t so easy to tag with one of those corny genre-mash-up descriptors folks like us love to cook up (not to say we haven’t tried), with or without some “clever” label to snap onto it, the “lonely stoner” anthem is increasingly becoming the one song seemingly no living entity within the galaxy can deny.

A casual listen may not instantly birth an idea of what all the fuss is about, but there will be at least one of it’s many mystifying elements (that hypnotic electro warble, those space-beamed “What, what” line enders, Cudi’s emotion-less sing-rapping, a distressing need to figure out what the hell the song’s about) that’ll move one to give it a repeat peep…then another…then another, until you have reached the conclusion that you can’t go a day without it because it’s THE BEST SONG EVER!!!

Unfortunately, as has become the case with anything this widely appealing, both the unknown and the known are coming out of the woodworks, anxious to nab a piece of it’s luster. To add to the equally monstrous Crookers house do-over and remixes featuring Jim Jones, Pitbull and Collie Buddz, catch the So So Def swag-biter unnecessarily hogged by the ever-bragging JD (who has slowly lapped Kanye and Soulja Boy as one of hip hop’s most annoying figures) and a killer seven minutes-plus dancefloor revision by the Bingo Players, below:

DL: “Day N Nite (So So Def Remix)” (alt)
DL: “Day N Nite (Bingo Players Remix)” (alt)

(Look for Kid Cudi’s debut, Man On The Moon: The Guardian, later this year)

Uncategorized alt-hip hop, bingo players, dance remix, electro-R&B, jermaine dupri, kid cudi

Riding a smooth R&B-based backbeat (complete with cool Slick Rick interjections, anonymous hook-girl cooings and starry-eyed keyboards) that triggers nostalgia for the best that radio-friendly, mid-to-late-’90’s hip hop had to offer, Bow Wow’s newest single “Roc The Mic” just begs to soundtrack some long car-ride with the top down and the near-triple digit summer sun heat beaming off the top of heads. But then, one gives the lyrics a closer inspection and a tinge of awkwardness begins to settle in: are Bow and longtime mentor/ producer Jermaine Dupri REALLY bypassing the typical hoes and wheels rap banter to spit about their re-tightened “father”/ “son” bond?

Now we’re all for a little positivity in hip hop penmanship, but the brotherly love being tossed back-and-forth between these two miniature-sized emcees here ends up being a bit too close to corny ’80’s sitcom theme song territory for comfort.

In reference to the duo’s much-written-about “outs” period, JD cockily pipes in: “See I had to let him go/ Just so he can really know/ You never know what you got ’til its gone/ Welcome home”; Later, Bow calls JD “more like a Dad than just a big brother” (Awww), then giggles through an old childhood memory of wanting to “smash” all of Dupri’s pre-Janet groupies, needlessly adding, “And I did it!!” (Ewww). All of that, plus the huggy-huggy chorus chiming of “They say we talk just alike/ Walk just alike…” and a quite solid instrumental suddenly feels soured underneath all the BFF sentiment.

This is one song that perhaps should have just stayed in their respective private vault collections.

Uncategorized '90's, bow wow, jermaine dupri