mixtape maestro (2.0)

Isn’t it funny how “My Boo”, a thirteen year old R&B/ booty bass cut performed by an act a majority of folks (minus bloggers of course) probably wouldn’t be able to name without some Google aid, has suddenly turned into one of the most covered/ re-tooled tracks of ’09? Following DJ Solly’s chopped-up re-working of the Ghost Town DJ’s single (posted here back in July), the past few weeks has seen a few other new takes off “Boo” bubble their way to front pages all across the blog patch, and un-surprisingly, we heart every single one of them. Check ‘em out below:

American Dream Team “My Boo”

This Brooklyn-based squad of DJ’s, VJ’s, producers, designers and animators cover the record with a Cascada-esque dance-pop touch (though far less cheesy than that may sound), employing a slightly Auto-Tuned, anony-robo-female to mimic the song’s high school-age X’s and O’s sentiment in between a solid assortment of bloopety-bloop club noise. An ideal dancefloor delight.

DL: “My Boo” (alt) (American Dream Team)

Desktop “My Boo”

Desktop is an synth-pop duo out of Detroit who have released two EP’s this past year that are both chock full of fetching, keyboard-dominant tunes ’80′s pop lovers should dig (Our favorite: the work-out inspiring “Fired Up”).

Their “My Boo” remake features a faint loop of “A Milli” in the background, a killer opening groove that’s just begging to be sampled for some new crunk & b confection, a talk-box (we think) assisted breakdown that’s still got our heads spinning in circles and a heavily distorted lead male vocal that makes the longing lyrics take on a intriguing stalker-ish bent that wasn’t all that easily apparent in the original.

DL: “My Boo” (alt) (Desktop)

Mariah Carey featuring OJ Da Juiceman, Big Boi & Gucci Mane “H.A.T.E. U (Remix)”

Last but not least, Mimi busts through with this remix of her Memoirs’ slow jam ballad “H.A.T.E. U”, and we must say, anticipating entering the angry phase after breaking up with her man goes down a lot better when supported by the light bounce of a “Boo” sample and smirk-inducing guest turns from OJ Da Juiceman, Big Boi (“I’m colder than a polar bear’s toenails”) and, the “Ludacris of ’09″, Gucci Mane, in what’s probably his two-hundredth appearance on a song in the past four months alone (and yet somehow we still crave more cameos from the “Wasted” emcee).

DL: “H.A.T.E. U (Remix)” (alt)

Say what you want about it’s awkward rush to that big, key-escalating finale or, hell, the necessity of it in the first place, but be honest: Mariah Carey’s cheese-tastic cover of Foreigner’s ’80′s radio/ karaoke staple “I Want To Know What Love Is” gets the job done; if nothing else, proving that hearing a gospel choir emote the chorus couplet hasn’t at all lost it’s eye-misting effect after all these years.

Hotter-than-hot remixer Chew Fu migrates her version to the club realm in his latest “re-fix”, garnishing it with all the usual dizzying dancefloor bells and whistles (while giving the backing choir support some extra love) with solid results.

Check out it his “Extended Club Fix” below:

DL: “I Want To Know What Love Is (Chew Fu Extended Club Fix)” (alt)

Mariah’s twelfth album, the recently leaked Memoirs of an Imperfect Angel, may house much of the twinkly keyboards, echoed syllable hooks and silly lyrical turns that have lingered in her previous work with dominant Angel songwriting/ production team Chris “Tricky” Stewart and Terius “The-Dream” Nash (not to mention, the stuff they’ve crafted for themselves and others), but having those quirks on hand don’t at all prevent this collection from ranking as one of her most maturest albums to date.

Having little interest in the sample-based, cookie-cutter R&B-pop thrills of her past, Angel looms heavy with a mostly mid-tempo tracklisting that more often than not finds her dwelling in the depression of post-break-up heartache or selling a sassy kiss-off to a no-good boyfriend. Even the small number of relatively upbeat, “happy” numbers carry a denser musical tone beneath them, causing one to think that Mariah spent some time dipping back into her own catalogue, re-realized what a gem 1998′s under-appreciated Bone Thugs N Harmony collabo/ single “Breakdown” was, and then opted to record an entire album based around the track’s nocturnal-soul vibe.

If we had to pick one as an immediate favorite it would have to be mid-album cut “Ribbon”, a molasses-flowing bump & grinder that wouldn’t sound out of place on a Dream or R. Kelly album. It’s one of the few instances on the disc in which she’s celebrating love, capturing her completely lost in the charms of her lover and on the verge of a near-breakdown when she’s forced to be separated from his touch for the smallest bit of time (“It’s been about twenty good minutes since I kissed you/ Come back boo/ I miss you/ Wish I had twenty million hours to caress you/ And undress you/ To be continued…”).

It’s a puppy love sentiment we’ve heard her wax on plenty times over in the past, but here, when supported by a boudoir-ready groove and a chopped-and-screwed-styled hook that awesomely co-signs her ecstasy with demonic chants of being like a “ribbon with a bow on it”, sounding a bit more grown-up when giddy in love goes a long way.

Hear it below (you didn’t think we would have THE MAN catch us giving out a Mariah MP3 now, did you?), followed by a clip of Miss Carey-Cannon (looking all “Vision of Love”-ly) performing her surprisingly moving cover of Foreigner’s “I Want To Know What Love Is” on Oprah.

Memoirs drops September 29th.

“Ribbon”:

“I Want To Know What Love Is (Oprah Performance)”: