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‘Cover’age, Vol. 1

November 30th, 2009

Nothing more but a bunch of cover songs that have been bubbling around in recent weeks. Enjoy!!

Tanya Morgan “Breakadawn”/ Skillz & Colin Munroe “Baby Phat” (De La Soul Covers)

Two highlight entries pulled from Mick Boogie & Terry Urban’s latest mixtape collabo, a multi-artist tribute compilation to De La Soul’s twenty-year strong legacy entitled Le Da Soul (download the full set here): the MJ-sampling groover “Breakadawn” see the unmistakably DLS-influenced Tanya Morgan cleverly weaving in their own spin to Pos and Trugoy’s script, while Skillz (assisted by longtime MM fave Colin Munroe) gives the curvalicious female sect a nice shout-out (“I like chicks thicker/ Imagine me dating a lil’ stick figure”) in a revamp of “Baby Phat”.

DL: “Breakadawn”

DL: “Baby Phat”

Ellie Goulding & Erik Hassle “Be Mine (Robyn Cover)”

In which two current blog-pop phenoms take a break from their respective on-the-rise careers for an acoustic guitar-backed duet rendition of Robyn’s 2005 single (best known for it’s drama-tastic spoken word bridge and one of the most heartwrenching opening lines ever put to pad-”It’s a good thing, tears never show in the pouring rain/ As if a good thing ever could make up for all the pain”).

Of course, for those who have heard Robyn’s own stripped-down take, Goulding and Hassle’s re-read won’t be that much of a mind-blower, but oh does their vocals meld beautifully when harmony time comes around.

DL: “Be Mine”

Snow Patrol “Ray of Light (Madonna Cover)”

True, the folk-y swing that Irish alt-rockers Snow Patrol build to on the hook of this Top 5 Madonna smash kind of feels pathetic when compared to the explosive epiphany Maddie brought to the table, but we must be honest with at least this much: hearing “Light”’s heavy verses under the band’s earnestly melancholy arrangement catches a pleasant lullaby-like mood we wouldn’t mind being soothed with at the end of a long and hard work-day.

DL: “Ray of Light”

VV Brown “Miss You (Rolling Stones Cover)”

Though England-born indie pop-punk/ soul-ster VV Brown was given a major hype push earlier this year when she was recognized as a Top Ten finalist in the BBC’s “One To Watch” poll, Sounds of 2009, she has so far struggled in earning much pop chart love (Out of four singles released, only one has managed to chart in the UK Top 40).

Still, we say keep following her. Not only because her critically-acclaimed debut album, Travelling Like The Light, has plenty of quirked-out, retro-pop/ rock/ soul goodies to offer (contrary to radio support), but also because she’s proven to be a hoot with her on-the-fly YouTube cover creations (check out her renditions of “Crazy In Love”, “Day N Nite” and “Best I Ever Had”).

There’s nothing silly about her take on the Rolling Stones’ 1978 classic “Miss You” though, which trades in the original’s bluesy-disco strut for a despair-drenched Southern-fried soul vibe.

DL: “Miss You”

Mumford & Sons “I’m Not Alone (Calvin Harris Cover)”

Part of the same London folk scene that has birthed the likes of Noah and The Whale and Laura Marling, the four-piece Mumford & Sons caught plenty of ears with their debut single, “Little Lion Man”, an enrapturing cut seething with self-loathing (“I really fucked it up this time/ Didn’t I my dear?”) and an edge-of-apocalypse hoedown rattle.

That same pluck-heavy furor is called upon for their surprisingly decent Live Lounge rendition of Calvin Harris’ ’90’s-dance tribute “I’m Not Alone”, their woodsy slant working wonders in an impressive mimicking of the same soft vocals/ loud music dichotomy that made the original so enticing.

DL: “I’m Not Alone”

Slim Twig “Behold A Lady (Outkast Cover)”

Toronto-based indie label Paper Bag Records turned seven this month (Happy birthday PB!!), and to help celebrate this event, they’ve unleashed the covers compilation, The Seven Year Itch, for free from their site.

Amongst it’s twelve-song tracklisting, plenty of fascinating grabs can be found (including Josh Reichmann’s rustic campfire take on Bat For Lashes’ “Daniel” and CFCF’s ’80’s new wave & vocoder-baked treatment of OMC’s quirky international fave “How Bizarre”), but the one perched atop our highlight picks would have to be a cover of Andre 3000’s The Love Below-housed tribute to the classy female, “Behold A Lady”, as handled by Canadian-born noise-art eccentric Slim Twig.

Sludging up the original’s lean digi-funk with a dense garage stomp and kooky, vampiric vocals that sound like they’re being emitted from a broken-down loudspeaker, Twig charmingly re-brands the song with a brush of his own unique “ice cold” cool, providing belated props to an oft-overlooked Below gem.

DL: “Behold A Lady”

Pixie Lott “When Love Takes Over (David Guetta/ Kelly Rowland Cover)”

Where David & Kelly’s original aimed to split open the heavens from it’s opening moments with all of it’s big dance diva grandeur, this Live Lounge version by English singer-songwriter Lott goes for a more organic lift-off.

Opening on a slow and meditative tip that plants a pleasant spotlight on the grainy squiggles of soul embedded in Pix’ pipes, the remake makes a better play at illustrating love taking over, growing more and more bold with each added layer of (mostly Coldplay-nicked) instrumentation and upgraded tempo notch until it explodes in a fireworks-like display of romantic euphoria.

DL: “When Love Takes Over”

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Pixie Lott “Mama Do (Uh Oh, Uh Oh)”/ “Use Somebody (Kings of Leon Cover)”

July 7th, 2009

pixie lottWhile we won’t be as quick to jump on the increasingly tiresome (and oh-so-premature) “next Amy Winehouse” hype-tags that critics have been so eager to plant on England-born newcomer Pixie Lott, we will admit to being slightly won over by the 18-year-old’s beyond-her-age vocal talent, and judging by the chart-topping success of her catchy debut single, “Mama Do (Uh Oh Uh Oh)”, it seems we’re not alone in that position.

Yet another dose of the handclap-aided, retro-soul-tinged pop we’ve heard close to a million times in recent years by various other instantly acclaimed chanteuses, “Mama Do” adheres so closely to the overly-familiar formula without trying anything new, it’ll likely end up much-forgotten in the long run.

But, for the moment, we can’t get enough of the old-soul seasonings Lott weaves into the song’s teenybop drama, whether she’s stressing over her on-again/ off-again boyfriend or bristling with fear over how her parents might react once they find out she’s been sneaking out of the house late at night to cavort around the town with him (not to mention those breathily tossed “uh-oh”’s sprinkled all over the number that threaten to hold your brain hostage long after the song’s faded away).

If that’s not enough to justify making room for Pixie on your iPods next to the Adele’s and Amy’s though, peep the wearied diva polish she expertly slathers all over acoustic renditions of “Mama Do” and Kings of Leon’s “Use Somebody” below, then get back to us on whether you think she’s worthwhile or not.

Pixie’s debut, Turn It Up, drops in the UK in September.

DL: “Use Somebody (Kings of Leon Cover)” (alt)

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