mixtape maestro (2.0)

While most of the blog-crit-hype that rewarded Basement Jaxx‘ comeback-of-sorts “Raindrops” was justifiable-it definitely ranked near the top of the list of the past season’s most summer-tastic entries-it still felt a little too reined-in, serving as an only quasi-reminder of the bursting-at-the-seams dance euphoria the duo reigned with on their first two masterpiece albums. Not to mention the lingering feeling that it would be mostly forgotten about by winter time.

Follow-up single “Feeling’s Gone” feels just as temporarily likable, but at least it serves the bonus treat of being the second greatest thing Sam Sparro’s Prince-spiked divo voice has ever been aligned with (for the hopeslessly confused, “Black & Gold” would chart first, of course).

One of the more straight-forward dance-pop entries to emerge from Basement Jaxx’ “mad scientist” lab, “Gone”’s dense modern disco frame carries a few moments of pizazz (the single-finger keyboard plinks, the 4/4 hand claps), but it’s main selling point lands firmly on Sparro’s electric performance, which starts off all soulful assuredness before evolving into bursts of back-of-the-throat tingling shriek histrionics.

Can’t wait to hear what remixes come of this.

Bassment Jaxx’ Scars arrives September 22nd (Pre-order here).

Uncategorized basement jaxx, blue-eyed soul, dance pop, house, sam sparro, UK

There’s not enough good things you can say about Sam Sparro’s still-fire “Black & Gold”. The 2008 (Grammy-nominated!!) breakout single from the Australian newcomer totally delivered what anyone would want from an electro-toned, blue-eyed-soul record (erm…about searching for God). Hell, we bet even Prince had to tap a high-heeled toe once he became aware of the jam.

With that being said, it’s come as a bit of a surprise that rappers haven’t fallen over themselves trying to tap into it as a sample-base “Paper Planes”-style, especially considering they seem to “bless” damn near everything else with a major blog following. Enter Shawn Chrystopher, a Cali-born emcee/ producer currently blazing through the mixtape circuit, to finally give “Black and Gold” a lil’ hip hop touch.

Interestingly, though, it’s not Shawn’s rapping contribution that stands out here as much as his production work. Cooking up a slightly jazzy, slower tempo-ed frame that’s all echoing synthesizer and frantic drum taps, Chrystopher’s work behind the boards is sharp and so complimenting to Sparro’s vocal that we wish it could’ve supported the whole of Sam’s song instead of just keeping the singer’s “involvement” to looped sample hook duties.

DL: “Not Really Here” (alt)

Uncategorized '09 grammy's, australia, california, remix, sam sparro, shawn chrystopher